Two utility box art wraps approved — as a pilot, with a promise to revisit how artists get picked
The week's only real decision came at two street corners. The Larkspur Community Foundation asked to wrap two utility boxes in vinyl reproductions of local art: a watercolor by K. Carlson at Bon Air and Magnolia, and a purple clematis piece by N. Brown at Doherty and Magnolia. Thursday's hearing was the required second public meeting under the city's art policy, which kicks in for installations expected to last longer than a year. Staff backed it, reporting outreach via A-frame signs, Instagram, Nextdoor and the city newsletter, and that the comments received were all in favor. "These are wonderful," said Commissioner Sunshine. "We heard about it last month."
“Many cities have an arts fund to pay for such art or partner with cities. We do not have an arts fund.”— the Parks and Recreation director, on why the Foundation is footing the bill
The pushing came from Commissioner Capel, and it was less about these two boxes than about the next ten. Why vinyl instead of paint directly on the metal, he asked, and won't it fade on a sunny corner? Foundation representative Lori Anderson: "I believe the wrap has a longer lifespan than painting directly on the utility boxes, but I can get back to you on that." The director added that vinyl is easier to clean and can be swapped out if it's damaged. Then Capel's larger question: should the commission run its own competitive process so more local artists can submit, instead of the Foundation pre-selecting? Anderson said the Foundation leaned on the Marin Open Studios vetting process, decades old, specifically to avoid any perception of favoritism. Chair Baxter called it a point that merited discussion — while noting it may depend on where the art and the money come from. The director put the money part plainly: many cities have an arts fund. Larkspur doesn't.
There was also the matter of the flower. Capel asked why clematis and not the city's namesake larkspur — or lupine. Anderson allowed there is "controversy" on that front, but said the artist had no larkspur or lupine ready and would have had to make one; a poppy they liked was white and would fade, so clematis it was, for the pop of purple.
Baxter moved approval of both wraps as a pilot program, with the caveat that if the program continues, the commission takes up a formal artist selection process. It passed unanimously. Installation proceeds; the selection question waits for round two.